Showing posts with label Module 12. Show all posts
Showing posts with label Module 12. Show all posts

Wednesday, May 13, 2015

I Am Scout: The Biography of Harper Lee: A Review



Childs, C.J. (2008). I Am Scout: The Biography of Harper Lee. Henry Holt & Co., New York.

As part of the recent Youth Literature class, as well as the fact that after fifty-plus years, Harper Lee is coming out with a second book (Go Set a Watchman), I think it would be nice to look over the life of this intensely private but pugnacious person: Miss Nelle Harper Lee, author of one of the Greatest Books of the Twentieth Century: To Kill a Mockingbird.   I Am Scout: The Biography of Harper Lee, is the juvenile version of Charles J. Shields' adult biography, Mockingbird: A Portrait of Harper Lee, is an excellent read for the target audience.  It gives wonderful information and insight into the intensely private author but is written in such a way that it doesn't sensationalize or delve into generally unpleasant matters (the murder of the Clutter Family in Kansas which was the basis of her frenemy Truman Capote's In Cold Blood, which Lee was instrumental in creating but which Capote downplayed her assistance).

Nelle Harper Lee's life is covered, beginning with her early years in Monroeville, Alabama.  She's the daughter of the South, but no Southern belle by any stretch.  Much like her main character in TKAM, she was a tomboy: willing to stand up and fight any boy, as well as play football like one.  She forced her way to a game once, and she didn't go down but instead knocked others down.  When the captain yelled that they were playing touch, she yelled back, "Y'all can play that sissy game if you want to, but I'm playing tackle!"

In what might be a contradiction, while she was rough-and-ready, she also had a deeply intellectual side.  In one of those fortuitous turns of literature, her next-door neighbor was another future American literary legend, Truman Capote (then known by his birth name of Truman Streckfus Persons).  He had essentially been dumped by his parents: the vain status-seeking Lillie May and the ne'er-do-well Archie, in the care of relatives.  They were neighbors to the Lee family, which couldn't be further from Capote's chaotic life. 

Lee's father, A.C. Lee, was a successful lawyer, Alabama state representative, and newspaper publisher.  His oldest daughter Alice followed her father's footsteps, and at first Nelle tried to do likewise.  However, her non-traditional ways in forms of dress and disinterest in being the embodiment of the proper lady (she smoked, she swore, and didn't have many if any real friendships/relationships) put her at odds with almost everyone around her.  She also had a great passion: to write.  The two came into conflict, and eventually, despite the misgivings of her family, she went to New York, where her old friend Truman, now known as Truman Capote (adopting his stepfather's surname), had made a big noise. 

Capote, who referred to themselves as 'apart people', was one of the few in her early years to be a kindred soul.  As children, they wrote together and were engulfed with books.  They would carry around a new typewriter almost everywhere (except to the treehouse, as it was too heavy).  As an adult, Lee started out as the prototypical struggling writer, finding a job with BOAC (British Overseas Airways Corporation) ticket seller and trying to write.  A fortuitous friendship allowed her to quit her job thanks to a gift of money that would allow her to live while she devoted herself full-time to writing.



With revisions and editing, she cranked out To Kill a Mockingbird, which came at the same time that her old friend Capote came to her and asked her to be his "assistant researchist" (his term) on his 'nonfiction novel'.  Her quiet manner and Southern charm smoothed the way for her loud, flamboyant, egocentric friend, who frankly irritated and shocked the conservative Kansans, who were in shock over the Clutter killings.  She and Capote didn't record their interviews, relying on their memories which they shared in evenings.  Often, Capote would write "See NL's notes" for clarification.

While she helped Capote, she also turned her attention to her novel, To Kill A Mockingbird.  She expected it to 'die a merciful death at the hand of reviewers', but instead she appeared to hit the zeitgeist of the rising civil rights movement.   The book became an immediate success, eventually winning the Pulitzer, a rare honor for a first-time novelist who hadn't published before.  The book redeemed her in her eyes to not having pursued law, and the film version cemented the legend.

As time went on however, Harper Lee became irritated by all the attention she was getting because of TKAM.  She worked on a second novel, but with all the publicity for Mockingbird, time just slipped by.  Later on, she did declare she was working on a second book, to be titled The Reverend, in the style of Capote's In Cold Blood.  Perhaps this was a way to get back at her friend, who downplayed Lee's contribution to his work (and this genteel antagonism might have been mutual, as Capote never "went to any strenuous lengths to deny" having written part or all of To Kill a Mockingbird.  Lee's disillusionment with her friend, dislike to be connected with In Cold Blood, and general dislike of attention was such that she did not attend the legendary Black and White Ball Truman threw for Washington Post editor Katherine Graham.

As time went on though, the idea of publishing another book slipped.  She would not speak at presentations, and her relationship with Monroeville, which has capitalized on their 'golden goose', has been fraught with tension.  At one point, she threatened to sue the local historical society when it thought of publishing Calpurnia's Cookbook, basing it on own of the novel's characters.  The entire run of the book had to be destroyed.  Now in her 80s, she is at peace about her curious place in literature: one book (so far), yet a legend.  As Miss Lee wrote to a friend, "People who have made peace with themselves are the people I most admire in the world".

I Am Scout gives us really interesting information both about her and her legendary book; for example, her choice for Atticus Finch was Spencer Tracy, even writing to him to suggest he play the role.  The studio for its part, wanted Rock Hudson.  Even after Gregory Peck was cast, there were subtle problems.  Peck, who had a strong financial hand in the film, insisted on building up his part at the expense of the children's viewpoint (Peck insisted on removing a scene where Jem reads to a dying Mrs. DuBose because it again put the emphasis on the children and not on Atticus Finch, much to the director's sadness).  She also lived in New York for several years, but disliked the city itself (she wouldn't go to Manhattan), not living lavishly despite the wealth she probably accumulated through the book.   More curiously, though she lived close to friends she did not visit them or encourage visits.  It is as if she, like Greta Garbo, wants to be alone. 

Lee also has a curious hostility to Mary Badham, who played Scout in the film version.  "(Harper Lee) rebuffed attempts by (Badham)...to communicate with her. 'Mary acts like that book is the Bible', Nelle mentioned to Kathy McCoy, the former director of the Monroe County Heritage Museums.  According to a terse not in the museum's archives, '(Gregory Peck) told M.B. not to try to contact N.L.".  One gets the idea that Lee respects her work, but also thinks that it is simply too difficult to live up to the legend.  It is her Citizen Kane, but unlike Orson Welles, she quit while she was ahead.

Then again, she really didn't quit.  She had full intention of writing many books, of telling many stories.  However, the publicity, the notoriety, the passion Mockingbird was held by the public, in a way pushed Lee to not write.  Shields comments that the two essays she wrote for magazines post-Mockingbird had "a strong whiff of self-righteousness", calling them too self-conscious, as if she were trying to already live up to a legend she didn't want and couldn't carry.  

Harper Lee has pretty much resigned herself to both the praise and curse of To Kill a Mockingbird, a book that is good, that she knows is good, but that has also pretty much condemned her to endless comparisons, which might have frightened her from going into publishing another one...until now.  At age 89, a second Harper Lee book, Go Set a Watchman, is set for publication this July (I already have it on order, though it won't arrive until a few days after initial publication.  I'm not in that much of a hurry). It is called a sequel to her first book, though it apparently was written prior to Mockingbird and only recently rediscovered (even Lee apparently forgot all about it).

I Am Scout is perfect for the target audience, providing an interesting portrait of the author who has earned a place in history with only one book to her name (at least until July 2015), written in a simple tone that children will find easy. Adults can also enjoy I Am Scout as a fascinating portrait of the mostly-reclusive writer, who gave the world a wonderful story, then watched it overtaken by others whose intensions were both good and bad.        

Nelle Harper Lee
Born 1926


Sunday, April 19, 2015

Module 12--Bill the Boy Wonder: The Secret Co-Creator of Batman: A Review



MODULE 12:
BILL THE BOY WONDER:
THE SECRET CO-CREATOR OF BATMAN:
by Marc Tyler Nobleman, illustrated by Ty Templeton

I feel the need to start with full disclosure.  I'm not into comic books.  Basically, my whole knowledge of figures like Superman, Batman, and Spider-Man (among others) comes from the film and television adaptations.  Currently, the Batman television prequel Gotham is not just a hit, but is among one of my favorite television shows. Through the campy 1960s television show, the Tim Burton/Joel Schumacher films, the Christopher Nolan Dark Knight trilogy, up to Gotham, I took it as fact that Bob Kane had created Batman out of whole cloth on his own.  Bill the Boy Wonder: The Secret Co-Creator of Batman brings us some shocking news: Kane was not alone.  Bill Finger, whom Kane has admitted was integral to the creation of this iconic figure, remains virtually unknown, even to Batman fans.  Marc Tyler Nobleman and Ty Templeton's book not only sets the record straight, but gives this hidden figure his due in a book I think Finger would be proud of. 

Milton Finger wanted a job, but in the Depression, his Jewish background (and first name) would probably keep him out of work.  He turned Milton into the more American "Bill", but work was still hard to come by.  He dreamed of being an artist and writer, but could only find work as a shoe salesman.  A chance encounter with another cartoonist, Bob Kane, soon started them on collaborating.  Inspired by the success of Superman, they worked to create another equally successful character.  Their character was different than the popular ones of the day. He would be a vigilante, human, with no superpowers.  Kane took the idea to their publisher, who liked it.  Finger agreed to write Batman stories without credit (a typical arrangement at the time).  Kane also hired other artists to serve as illustrators and ghostwriters, including one named Jerry Robinson.

Bob Kane
1915-1998

Finger not only wrote many Batman stories, but came up with much of the Batman mythos: his origin story of young Bruce Wayne, whose wealthy parents were murdered, Wayne's hometown of Gotham, the Batcave and Batmobile.  Finger also created the young Dick Grayson, the first Robin, and villains such as The Penguin and The Riddler.  Finger would jot down tidbits in a journal, using them for ideas, but was happy to share these notebooks with other writers.  In time, he married a woman named Portia, had only one son named Fred, and kept working on Batman.    That changed in 1964, when comics editor Julius Schwartz started talking openly about Finger's contributions.  Jerry Bails, a Batman fan, began investigating and interviewing Finger, publishing an article giving Finger co-credit.  Kane did not take this kindly, but neither Kane or Finger pushed on the issue of credit. 

On Friday, January 18, 1974, Bill Finger died.  Fred Finger scattered his ashes in the sea, but not before placing them in a Bat-Sign he made on the beach.  After Finger's death, Kane gave Finger credit...with his words, but never asked that he be given credit in print.  "But Bob didn't amend the part of his contract requiring that he always be listed as the sole creator of Batman", the book notes.  However, Finger's old protégé Jerry Robinson kept Bill Finger's legacy alive with the creation of the Bill Finger Awards for Excellence in Comic Book Writing. 



Bill the Boy Wonder is a fascinating portrait of a hidden figure to most if not almost all Batman fans.  Finger comes across as a pretty affable guy, perhaps too affable.  His lack of insistence in not asking for co-credit for creating one of the most iconic comic-book figures is puzzling to say the least.  With the success of Batman in various serials and the 1960s camp Batman show, Finger had plenty of time and opportunities to lay down the law if he so wished.  He had a strong case, but Finger never pushed or insisted on credit.  This despite the fact that Finger's contributions to the Batman storyline was an open secret among their colleagues.  Kane himself talked about how Finger did much to shape Batman to the figure we know him today, but just as Kane never pushed for Finger to get recognition, neither did Finger.

From Kane's perspective, it is understandable.  Batman is a major franchise that is still popular today.  From Finger's perspective, it is still puzzling.  Did Finger simply not care?  Did he think it wasn't worth the trouble to get a byline?  Did he think the work was reward enough? Bill the Boy Wonder never answers that question, I think because there is no answer possible.  Finger has been dead for forty years, as is his son Fred.  Bill Finger is so mysterious a figure that the book notes that the author was able to find only one known note in Finger's handwriting, and that was from around 1942. 



However, the book itself makes for a fascinating read.  The Author's Note which details more information about Finger as well as Nobleman's search for information is in itself fascinating read.  We learn that few pictures of Bill Finger exist, and that the search was drawing blanks because he had changed his name from Milton.  We also learn a far stranger story about what happened after Finger's death. 

His son Fred was gay, so it was believed Finger had no heir.  Fred Finger's belongings were given to a Charles Shaheen.  Shaheen had been receiving small royalty checks from DC Comics and it was thought the checks ended after Shaheen's own death.  However, DC Comics had been sending those royalties to a Jesse Maloney, a drifter.  In the course of Nobleman's investigation he discovered Finger's niece and nephew, who asked him why he didn't talk to Finger's granddaughter.  The fact that Finger had a grandchild was stunning given Fred Finger's open homosexuality, but Nobleman learned that Fred had been married briefly to a woman and had a daughter named Athena.  Athena was tracked down through MySpace, where she shared that her dog's name was Bruce Wayne.

Athena filled in the missing pieces.  Charles Shaheen had been her father's long-time partner, but the family didn't like Shaheen.  Maloney had claimed to be Fred Finger's brother (though Maloney's relationship to Shaheen, whether it was romantic or not, is not known).  Once Maloney was unmasked (no pun intended), DC began sending all of Bill Finger's royalties to Athena, which helped in raising her own son, Bill Finger's great-grandson and final heir. 

I imagine even Commissioner James Gordon would find this tale extremely bizarre.

Ty Templeton's illustrations capture the look of comic books, with their panels and split images.  A few illustrations, like the Wayne murders and the various figures Finger either created or co-created (such as Robin, The Joker, Catwoman, The Penguin and The Riddler) are so evocative of Kane's illustrations (no one disputes Kane did artwork for Batman, though he himself did not write the stories).  They are beautifully rendered.  A particularly poignant moment is when Fred Finger places his late father's ashes on the beach, having shaped the sand into a Bat shape.  "The tide crept in and swept them out to sea," the box says.  It's a beautiful moment.

From the serials to Gotham, all Batman fans bow in salute.

BRIEF REVIEW DISCUSSION

In the Kirkus Review of Bill the Boy Wonder, Nobleman gets enormous credit for the amount of research that went into rescuing this figure from near-oblivion.  Certainly Athena Finger is grateful for Nobleman's research, and not just in financial terms.  The grandfather she never knew (Bill Finger having died two years before her birth) is now assured of the legacy that came too late for him.  We now have the story of Bill Finger, the man who made Batman the man he is today.

PROGRAMMING SUGGESTIONS

I think there are a few good programs that can come from this.  One is to put Bob Kane "on trial" and discuss the ethics of crediting someone for their work (remembering that Finger never pushed or insisted on credit).  A comic-con is also plausible, as is a comic-book creation contest...with winners getting full credit.  A Batman exhibition, where we see the evolution of the character, is also worth considering.


Bill Finger
1914-1974

REFERENCE:

Book Review: Bill the Boy Wonder: The Secret Co-Creator of Batman by Marc Tyler Nobleman (2012, April).  Kirkus Reviews.  Retrieved from https://www.kirkusreviews.com/book-reviews/marc-tyler-nobleman/bill-boy-wonder/